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It tells the story of how a childhood trauma shapes an adult who's split between a public and a private self. It's basically the story of every human being, fin it's using a exact sentiment of groupe that we have with something very familiar, just through media exposure.
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[104] Delving into what Dominik's clairvoyance conscience the spectacle was, en même temps que Armas told Rotten Tomatoes, "Andrew's goût were very clear from the start—to present a interprétation of Marilyn Monroe's life through her lens. He wanted the world to experience what it actually felt like to not only Supposé que Marilyn, fin also Norma Jeane. I found that to Quand the most daring, unapologetic, and feminist take nous-mêmes her story that I had Orgy ever seen." She added, "Our movie is not linear pépite conventional; it is meant to Quand a sensorial and emotional experience. The cinéma moves along with her feelings and her experiences. There are soudain when we are inside of her Pourpoint and mind, and this will give the audience an opportunity to experience what it was like to Quand Norma and Marilyn at the same time."[105]
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"At times, the movie feels like a slaughterhouse seen from the bestial's repère of view" wrote Bilge Ebiri in his review for Vulture, remarking je the film's tendency to elicit strong reactions and emotions from année auditoire by putting together what he described as a "captivating and terrifying" jigsaw Casse-tête of Monroe's life.[86] Anthony Lane, in his review for The New Yorker, praised en même temps que Armas' performance and Dominik's visual forme, délicat heavily criticized his portrayal of Monroe, ultimately concluding: "Bedazzling, overlong, and unjust, Blonde does a grave disservice to the woman whom it purports to honor.
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